I kneel in the dormer window of my childhood bedroom, but I’m an adult wearing a white, flowing nightgown. I am frantic, trying to shove the plastic window shade into the corners of the window panes to block out the streetlight streaming in around the edges of the shade. The edges won’t stick or wedge in, and the light is a shining pool across my face, body, and carpet. I am not sure if I am trying to block out the light from shining on me, or keep people from looking inside.
Suddenly, I’m downstairs in that same childhood house, dressed in jeans, a t-shirt, and my black hoodie. Except the downstairs is no living area, but a black-walled, red-lit rock venue, with a stage and booths, and high black, industrial ceilings, almost warehouse-like. I am sitting across from an aging musician, black-clad himself. He is handsome but no longer young, a bit worn about the edges like a well-loved, subversive book. Looking more closely at him, the lines and years are more apparent. He works there. We discuss the sound for an event, raising our voices over the song playing out of the speaker above us.
We walk around the room looking up at the ceiling and he shows me the locations of speakers and wire. He stops under a gaping hole with jagged edges in the ceiling above us, points it out to me. “We call it the Dungeon,” he says with a wry smile. It appears as if a large object has ripped through the ceiling above. Through the hole, I can still see my bedroom bathed in the light of the streetlight. I wonder what caused the hole; What could have fallen through and created a hole so wide?
Something changes suddenly, in the way that change sometimes cracks time wide open, and I have to perform onstage. The stage, though, is across the room in the opposite corner, and I realize that whatever came through the ceiling created a massive crater in the concrete floor of the room and the hole is full of bright blue water, aquarium-like and brightly lit. I stand at the edge, and notice dark shapes moving smoothly through the water.
“Sharks,” I think to myself.
There are probably three of them, maybe four. As they cut through the water, one and then another jump out of the water in an arc, then make a smooth dive back under, continuing to circle the pool. I realize I have to make my way past the shark pool, and on to the stage at the other side of the pool. My breathing picks up. I look around for ways to get around the pool. There is no overhang between the walls and the edge of the pool, nothing to tightrope walk across. The man tells me we have to go on. We? I look to my right. Ty Segall is standing next to me. “I know how to get there. You have to go through the sharks,” he says. He is shorter than I realized.
The panic is rising in me, but he says, “dive” and plunges in, a clean California surfer’s dive, and I feel sick, but dive in after him, my head feeling like it will explode with the pressure. I do not feel like I am cutting through the water like a swift, smooth shark. One of the sharks bumps me as I swim frantically, my arms feeling no propelling traction or friction, my clothes weighing me down. I am tiring and running out of breath. I see a shark coming out of a halo of bright light, straight towards me, as my hand touches the far wall, which is only the black-painted wooden edge of the stage. I haul my torso up over the lip of the edge, and kick my legs like a child learning to swim, trying to push my hips and legs up and over. I get a leg up and then just as I see a shark coming at me, pull the last of my leg and foot out of the way. The shark strikes the wall and I feel nothing, but imagine a thud. I roll over and lay on my back, sucking in air, then hear someone yell, “Watch out.” I see the shark jumping out of the water at my face, it’s teeth all red and white. It’s dead eyes must be fixed on me, but they show no recognition or light.
I wake up terrified, lying in cold sweat, the dream as vivid as a movie, so strange a dream that it awakened me so violently that I thought it must mean something.
It must mean something.
